427 / 861
March 6
The Elizabethan Theater: Shakespeare in Context pp. 1386-1391
March 8
The Tragedy of Othello
pp. 1455-1542
March 10
“The Modern Realistic Theater” pp. 1663-1664; “Envisioning Drama: Williams and Miller
in Performance” pp.1717-1722
March 20
The Glass Menagerie
pp. 1722-1777, or
Death of a Salesman
pp. 1777-1847
March 22
Joyce “The Boarding House” pp.579-583; Chekov “The Lady with the Dog” pp. 466-476
March 24
Critical Theory: Reading for Analysis; The Canon and the Curriculum; What we Read;
Why We Read; How We Read pp.2153-2160; Introduce second paper; Formalist
Perspectives pp. 2161-2163
March 27
Critical Theory: Biographical Perspective pp. 2164-2165; Historical Perspectives pp.
2166-2168; Dickinson “ Some Keep the Sabbath going to Church” p. 921; Browning
“How Do I Love Thee? Let Me Count the Ways” 1080; Blake “The Chimney Sweeper” pp.
887-888; Owen “Dulce et Decorum Est pp. 1166-1167; Joyce “The Dead” pp. 584-610
March 29
Critical Theory: Psychological Perspectives pp.2169-2171; Critical Theory: Mythological
Perspective pp.2180-2183; O’Connor “My Oedipus Complex” pp. 697-704; Hawthorne
“Young Goodman Brown” pp.553-562; Thomas “Fern Hill” pp.1198-1199; Yeats “The
Second Coming” p. 1219
March 31
Critical Theory: Sociological Perspectives pp. 2172-2174; Critical Theory: Feminist Critical
Perspectives pp.2174-2176;
Olsen “I stand Here Ironing” pp.705-710; Olds “35/10” p.1165
April 3
Gilman “The Yellow Wallpaper” pp. 541-552; Kincaid “Girl pp. 397-398; Clifton “Homage
to My Hips” p. 1084